Week #8 Creating or Sharing Perception?
J Burns -
Something I’ve noticed over some of the previous years is the tendency for these classic pieces of literature, like the kinds found on AP tests, to use synesthesia. This is because it is used as a strategy in many cases. It can be so subtle that readers often don’t detect it. Some examples are found in King Lear, comparing beauty to warmth as well as in The Divine Comedy with descriptions of the sun as “silent”. I found that many participants in my surveys and even peers aren’t aware of this. Whether it’s because of this or how well the senses blend together or being unaccustomed with the kind of books it’s found it, I don’t know.
Either way, I felt inspired by it last week as I began drafting the beginning of my short story to present as I finish this project. This is something I’m hoping to mimic, especially after reading how beautifully the synesthesia is written in All The Light We Cannot See. To do this, I’ve been researching how synesthetes talk about their own synesthesia and how, since the phenomenon is not so foreign to them, they bring it up less in talking and writing. I’ve also been taking the time to decide about making the main character an artist.
This would be to reflect how many synesthetes end up in artistic industries. But, again, it poses a question. And color kind of synesthesia if made into art is rather how the viewer sees the world, like painting a landscape in front of you, rather than inventing something entirely new. These are both valid forms of art, but from the representation I’ve seen, it’s primarily the first that synesthetes do. I am thinking about how to work this into the story, and, hopefully, a few more interviews will aid the process next week.
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