Fitting A Shoe To A Show (And By Shoe, I Mean Glass Slipper)

Danielle l -

Hello, viewer!

In complete honesty, I did not make much progress on my musical this past week. Two things kept me busy. One was my last ever Science Olympiad tournament which was bittersweet since I had been in the club since 7th grade. The other was watching and being a part of Places! Production’s Rodgers and Hammerstein’s Cinderella: Youth Edition! Now that I have watched a real show of both casts I was not in, mini and senior, I can report my findings on the differences from the perspective of an audience member.

For background, this show was a youth show and thus divided into three casts. Mini was made up of the kids, junior comprised of mostly younger teens, and senior comprised of the older ones. A few kids were sprinkled into junior and senior to be mice. I was in junior cast since my double in senior cast is my age, but she’s also taller than I am. Curse being short, but I absolutely loved being in junior cast for a change since I was in senior cast for Mary Poppins Jr. Junior and senior were directed by the same person, my mentor Breona Conrad! Mini however had a separate director.

I already mentioned how the mini cast was more often moving on stage than the older casts. They were even doing dance moves in between scene changes! There were also plenty of dance solos for the kids who had more dance experience. Even with those solos taking place though, everyone else was doing some sort of movement in the back. I struggled as well in Annie to keep the kids’ focus when they weren’t dancing or moving; they want to get to the good stuff. I noticed the difference between watching mini and senior. The stage in mini felt alive through consistent action while the senior stage felt most alive when the moves they did have were synchronized and expressive.

When the minis did have background interaction though, it was very fun to watch. I noticed that they usually grouped with the same people to make banter, and they were having fun while doing it! It’s always a good idea to introduce a bit of background acting for them to practice for when they’re older.

The mini cast didn’t lack very much in expression either.  A notable moment was during the song “Stepsisters’ Lament” where all the maidens are jealous that the prince is in love with Cinderella. For the kids being so young, they seemed passionately angry about this romantic situation! Numbers where kids can get fired up seem to be the best to have them practice expressions!

In return for having less movement, the junior and senior casts got to play with a lot more nuance. For the mini cast, if this makes sense, the characters were played as they were written in the script. Like how you would picture their personalities in the classic tale of Cinderella. As we rehearsed in the older casts though, we had table meetings discussing the relationships between our characters. I had the challenge with my friend who played the king to make all our exchanges friendly banter since Breona wanted us to be a loving couple. In the script, the king and queen are more portrayed as a bickering couple, so this was an interesting route to take. We even got so deep as to establish that the king and herald have a secret signal to play DnD every night! That being said, it seems for shows with younger kids, it may be better to strictly define personalities in the script; something I’m having a challenge with!

Props also helped the mini cast! They really make any scene feel more alive for younger ones. During the number “In My Own Little Corner” where the ensemble plays Cinderella’s fantasies, the mini cast had props to help them with their characters since we didn’t have time for costume changes. For example, the milkmaid got a bucket and the Primadonna got some sunglasses. In junior and senior, we had to define each character instead with our movements. Our milkmaid curtsied like a country bumpkin and our Primadonna gave some hilarious side-eyes. It was very interesting to see that difference in action as well!

I could go on for much longer, but I’ll leave it there. Overall, I think a lot of the choices in the mini cast were to bring up the adorableness for the audience and get them more engaged. Even though they’re just kids, the mini cast felt professional. It excelled as a kids’ production and even as a normal musical. I will hopefully be updating you on my own kids’ musical soon!

Take seven till next post.

In the audience for the minis!
One of my favorite moves in between scene changes.
Photo credit: Josie Poehls
Mini “Stepsisters’ Lament.” Even when covering their faces, you can see how expressive they were in their bodies!
Photo credit: Josie Poehls
Mini “In My Own Little Corner.” Spot some of the props!
Photo credit: Josie Poehls

Some things don’t change though (mini on top, senior on bottom)!
Photo credits: Josie Poehls and Kara Hutchinson

 

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Comments:

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    allison_h
    Hi Danielle! It's so interesting that you were able to notice so many subtle differences between each cast of Cinderella. I was able to watch the mini cast and I can attest that "Stepsisters' Lament" did have so much expression, it made the scene so entertaining and fun to watch. I'm so sad I was only able to fit one of the shows in my schedule. I really wish I could've watched you perform! Are you planning on having props for your musical?
    katherine_v
    Hello, Danielle! As someone who mostly watches productions with older casts members, I was intrigued by all the differences you pointed out. Next time, I definitely need to see a performance by the younger kids so I can see those differences for myself. When you are writing your script, do you imagine what it would look like onstage? For example, are you actively thinking about which characters will be onstage and what they would be doing when they do not have dialogue?
    nick_a
    Hey Danielle! The differences you were able to identify between the mini cast and the senior and junior casts are really interesting, especially since I don't have practically any theater experience. While you talked about a few differences, were there any similarities between the three casts that you noticed?
    cason_t
    Hi Danielle, I hope the show was a great success! The costumes in the pictures look absolutely stunning. You mentioned that the processes for the mini and senior casts were quite different—did that impact the pace of the performances? Were some shows shorter, or were they both around the same length?
    danielle_l
    Allison! I'm happy you felt the same about "Stepsisters' Lament" as I did, it's a hilarious number once done correctly! In terms of props, that will be decided once I decide if the read-through will just be in a circle or if it will be blocked. If the latter, then at least a few props will be involved as it will make it that much more engaging. Hopefully we can catch each other in shows next time!
    danielle_l
    Kathy! Glad to hear that you liked the comparisons. To your question, I more subconsciously think about it when I'm writing the lines, but the times where I have to intentionally think about it is when I have to add specific blocking directions. I know which characters will be on stage in each scene, and off-stage they will probably either be singing backstage or changing to be in another part of the ensemble.
    danielle_l
    Nick! Thanks for liking the analysis! One similarity between the three casts that I saw is that the dance moves were repeated for two numbers. They were "It's Possible", the song after Cinderella transforms for the ball, and its reprise which plays during the finale. Even though the moves were different for the different casts, they still shared that aspect of repetition, and it was neat to see. It helps kids to know that they already know the choreography for a later number; it eases a lot of stress.
    danielle_l
    Cason! I would say all three casts had great success in their shows, and the costuming was very exciting for this show! For the run time, each cast used the same script, but the mini cast ran a tad faster. This is because of two things: they spoke over their transition music more than we did and younger actors just tend to talk faster.

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