Welcome to a Film Tangent

Catherine f -

Hello! This week has been very tedious in terms of the project. I have been collecting movie clips I want to use for the documentary which was tedious on its own but I then have to either download them or screen record them so that they can be inserted into the documentary. All was going well until my computer started giving me error messages instead of recording clips (I briefly considered throwing it at the wall) so I had to switch to using my phone for recording and then downloading that on to my computer. It is taking entirely too much time but will hopefully be worth it.

On a fun tangent though, while getting clips I was looking for scenes from a film called The Watermelon Woman. This led to me watching videos surrounding the film movement it was a part of, New Queer Cinema. I already planned to briefly discuss this movement in the documentary but only briefly as the primary movies of the movement were not themselves horror.

New Queer Cinema was a movement started not long after the AIDS epidemic. Any positive progress regarding queer representation in films was quickly reversed with negative ideas and villainizing of queer people throughout the media. New Queer Cinema was started by queer filmmakers often independent or starting their own production companies creating movies for and about queer people. These movies captured the anger at the government’s handling of AIDS as well as the desire to live and tell their stories because they weren’t sure how long they would be able to. This movement was used to create unique and authentic films regarding queer people and communities and showed a variety of stories covering real people and discussion around intersectionality and identity. These films were low budget and featured non actors in lead roles and stories based on the real scene and events around them. They were angry and unapologetic in a time where it could be dangerous to do so. These movies were a call to action and helped make way for the queer films we have now, including horror films.

One such horror movie that came shortly after this movement was Hellbent, a gay slasher, and many more movies followed suit. More recently horror movies like I Saw The TV Glow hit theaters and gave the audience a trans story with a trans writer. Representation has come a long way and horror is just one shape it has taken.

I know this is a bit off topic but I found this movement really interesting and wanted to share more of it since it is only briefly mentioned in the project’s final product.

Thank you for reading!

If you are curious about this movement I have linked below a video that covers some of the most influential movies of New Queer Cinema:

https://youtu.be/pB_FKpnv_kY?si=GYNHq4ZR8jk0d12_

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Comments:

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    samantha_g
    Don't we love going on little side quests when creating art. Also I will be watching that video essay. Keep up the great work and try not to destroy your computer!
    liam_k
    Hi Catie, I was wondering how long your documentary is going to be? Thanks!
    riley_b
    Sorry about your technical difficulties. The Watermelon Woman is certainly an interesting name for any movie. Tangent or not this information is fun to learn.
    cindy_h
    Hi Catie! I'm glad you didn't throw your computer at the wall, I don't think that would be good for your computer's well being 😅. And I enjoyed hearing about this movement, it was definitely new information for me! I wanted to ask about the relationship between horror and representation: you mention that representation has shown itself through horror, but do you think that relationship goes the other way at all? So essentially, do you think has horror perhaps played a role in perpetuating and building queer representation in other genres? Thank you!
      catherine_f
      Hi Cindy! That's a great question! I do think that it goes both ways. Many different genres have furthered representation but I think that horror is a particularly good genre when it comes to building queer representation. Horror is already a subversive genre in itself and on average a lot of movies in the genre tend to be very low budget and don't get very popular upon their initial release. I think this is a positive part of this genre as due to having less people to cater to (as most movies don't get particularly popular anyways) the genre has a lot of freedom to make statements. It's low budget qualities also allows for so much more freedom in terms of creativity and content as it is an easy genre for anyone no matter the budget or resources to get into since there aren't high expectations in terms of visuals that you might find in other genres. This means that horror has more freedom to create content that may not be popular and provide a space for people to more easily breakthrough and create their own representation.
    katie_b
    Hi Catie! This is a very interesting post! How do you think the success of queer horror films today compares to the early days of New Queer Cinema?
      catherine_f
      Hi Katie! Great question! New Queer Cinema was a response to poor representation and the extreme villainizing that went on during AIDS. The movies didn’t tend to get any mainstream popularity but were well known amongst queer filmmakers and smaller film spaces and are now a lot more well known. They were extremely important in showing what queer representation could be and how to do it correctly. It paved the way for the queer movies we have now. Modern horror can often have minimal popularity just due to its genre but in recent years many queer horror movies have not only had good representation but have also gotten very popular. The movie Bodies Bodies Bodies was shown in theaters and very well liked by audiences. Netflix also released a really fun series of movies with queer main characters called Fears Street. Queer horror now is more successful overall but it definitely would not be where it is today without the films of New Queer Cinema. Thank you for the question!

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