Week 1: Sole Searching

Katie b -

This week I began my journey into the inside of a pointe shoe. 

Over the weekend, I attended one of my routine pointe shoe fittings with a specialist in Phoenix. After receiving my new pair of shoes, I began telling him about my senior project. He then showed me a display of the traditional stages of making a pointe shoe.

stages of making a pointe shoestages of making a pointe shoeshank

My eyes were immediately drawn towards the shank. The most confusing part of this shank was the raised portion towards the top. When I asked him about this, he had a very strong answer. He explained to me that the Capezio brand previously added this raised portion in order to increase the durability of the shoe. However, dancers and stage directors hated it. He told me that that little extra piece made the shoes much louder when jumping. Hearing that little fun fact made me realize another factor that I will need to consider when adjusting the materials and design of the shank: sound. Pointe shoes are supposed to make ballet look effortless and magical, but a dancer can’t achieve this if her shoes are extremely noisy.

After explaining the various steps on the display board, my pointe shoe fitter gifted me a brand new pair of shoes for my project. I am incredibly grateful for these shoes, as without them, I wouldn’t be able to demonstrate what a new pair looks and feels like, since all of my old ones are worn out.

Now here’s where the fun began. I took this new pair back to my house, and with the help of my grandpa, I was able to cut one shoe in half.  We used a saw to cut from the toe box all the way down through the heel.

cutting a pointe shoecutting a pointe shoecutting a pointe shoe

internal anatomy

Now that it was opened up, we could clearly see the various layers and parts. In this very traditional style of shoe, you can see that the shank is completely flat with no bend or arch support. It is the muscles in a dancer’s foot that cause the shoe to bend while in use. This is something I plan to alter in my design. I believe that if the shoe is not constantly being bent out of its original state, the materials will not experience as much wear and tear. 

With the new knowledge I have gained about the traditional interior design, I am ready to start my own design with new materials next week. 





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Comments:

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    liam_k
    Hi Katie! Do different brands of point shoes have different designs / materials / properties? Thanks!
      katie_b
      Yes! Different brands have different approaches when it comes to pointe shoes. For example, Freed of London shoes are very soft and "die" quickly. Therefore, they are marketed as a performance shoe that will only last for one show. Capezio shoes are very straight with little tapering towards the toes. This is a good fit for dancers who need a wider toe platform to dance on. Grishko shoes are the opposite with a very tapered toe and a small platform. As you can see there isn't one correct design, and it is important to get fitted into the right shoe for yourself.
    catherine_f
    Hi Katie! I find the design of the shoes really interesting. Are you planning on implementing the original raised portion of the shank in your new shoe or are you planning to make a new design for it? Thank you!
      katie_b
      Hi Catie! I am not planning on implementing the raised portion into my own design because I believe it caused more harm than good in the Capezio shoes. It made the shoes very loud for performances, and it never proved to actually make the shank last longer.
    riley_b
    Hello Katie! Wow, the display really helps me visualize. Are there any parts of the shoe you are keeping for sure?
      katie_b
      Thank you Riley! That is an excellent question. For now, I am planning on keeping the exterior design of the shoes then same. I will still be using the pink satin and leather outer sole. As far as interior parts go, I want to keep the drawstring, binding, and reinforcements relatively similar as they don't contribute greatly to the lifespan of the shoes. My main points of change will be the shank and the box (listed as "toe piece" on the display).
    cindy_h
    Hi Katie! It's awesome that you got to talk to your pointe shoe fitter about this! It's interesting to hear about the aspect of sound in ballet. I've definitely stumbled upon some TikTok's of ballerina's banging their shoes on the floor to make them quieter. Since sound is also a factor, are you worried at all about materials possibly being good for one thing, but not another? For instance, if one material is great for having a quieter shoe, but isn't as good for longevity, will you prioritize one factor over another? Thank you!
      katie_b
      Definitely! You bring up a really important point. I will have to balance the different factors when choosing materials for pointe shoes. Longevity is key since dancers need their shoes to last through rehearsals and performances, but at the same time, reducing sound is a big concern for some. Ideally, I'd love to find a material that strikes a balance between both, but if I had to prioritize, I think durability might take precedence since a long-lasting shoe can still be adjusted or altered to reduce noise to some extent. It's something I’m still exploring though!

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