Page Ten: Bringing Nina’s World to Life

Carly G -

Hello again, everyone! This past week has been one of the most rewarding parts of my senior project journey, and you’ll soon see why! As we approach the final stretch, I’ve spent most of my time illustrating full spreads and really ensuring I capture that dreamlike feeling within them.

Attached below is a peek into my digital workspace, where you can see several illustrations open in Clip Studio Paint (CSP). Illustrating using CSP has been such a rewarding experience, and I’ve learned so much more about digital art than I thought I would. It has made coloring illustrations much easier, and thanks to digital tools within CSP—like gradient maps, overlay layers, and airbrush effects—I was able to transform flat color blocks into more luminous compositions. It’s allowed me to experiment with color more than I’ve ever done before, as I was always hesitant to “ruin” an illustration by incorrectly placing colors or shadows that didn’t work. I’m especially proud of the glowing jellyfish scene and the seagull with the sunset. These are two spreads that I believe truly capture the magical realism and emotional tone I’ve been aiming for since the beginning. Let me know what you think of when you see these illustrations!

digital workspace
My Digital Workspace – Finished Pieces and Sketches

Amongst some of the challenges this week, working with color and light was the most difficult. I wanted each scene to feel immersive and emotionally resonant, which meant learning how to create atmosphere and movement using lighting effects. At first, I was really intimidated and thought my limited time spent studying lighting and shadows would be too obvious and distract the viewer, but I think I pulled through. CSP’s digital tools helped me unify palettes and ensure everything looked the way I’d imagined. This was really important to me as the sole writer and illustrator for this project.

In the coming week, I’m excited (and a little nervous!) to complete the last few illustrations and prepare for my final presentation. I plan to bring a physical copy of the book (courtesy of a yearbook printing company) to share with attendees and classmates, and I can’t wait to talk about everything I’ve learned—from storytelling and layout to digital painting and design.

Thanks for following me along on this creative journey! This final stretch will definitely be the most memorable, I can just feel it. Lastly, I’ll include some full-size pictures below of my favorite illustrations so far. As always, stay curious!

Seagull Scene
Jellyfish Scene

More Posts

Comments:

All viewpoints are welcome but profane, threatening, disrespectful, or harassing comments will not be tolerated and are subject to moderation up to, and including, full deletion.

    angel_g_c
    Hey Carly, omg the art you've drawn is actually so cool, you can clearly see all the hard work you put into it! I think you did a really amazing job with the lighting and would never be able to tell you considered yourself "inexperienced". I personally really like the bubbles in the Jellyfish scene, they're such a small detail but are super well done and bring so much life and movement to the scene! Is there a particular reason that you decided to use CSP? If you had to do this project again, what would you change about how you approached it?
    jimmy_k
    Wow, wow! Incredible work! I really like the illustrations. I am a big fan of the way the font looks. Did you write it yourself? If not, what font is it?
    carly_g
    Hi, Angel! Haha, I really appreciate all the compliments. They're super motivating as I complete this last stretch of illustrating! As for my choice to use CSP, it is the most powerful digital art software I know to use. While I do have experience using loads of others (Krita, Adobe Illustrator, Autodesk Sketchbook, FireAlpaca, IbisPaint, MediBang Paint, etc.), I've found CSP to be the best and most intuitive for me. It has the most online resources and an active user base, so finding tutorials whenever I'm stuck isn't a problem. If I had to do this project again, I would do more research into creating backgrounds. Somehow, I didn't realize just how many full scenes I would be drawing, and it feels like I've been working harder not smarter when it comes to digital tools. It definitely would've helped to do a deeper dive into the resources available to me first before jumping straight to illustrating. Now I know!
    carly_g
    Thanks, Jimmy! I’m really glad you like the font! Choosing one that looked professional was something I spent a lot of time thinking about. Since this is my first time illustrating a book, I wanted to strike a balance between a polished, professional look and the handmade nature of a first-time project. I ended up using Caveat Brush from Google Fonts. It’s licensed under the Open Font License, which means it’s free to use in any kind of project—print or digital, commercial or otherwise.

Leave a Reply

Your email address will not be published. Required fields are marked *