Page Four: Festival Prep, Loren Long, and What’s Next
Carly G -
This week has been full of exciting new events — both in my journey as an author and in connecting with the wider literary community in Tucson!
Last weekend, I attended a volunteer orientation for the Tucson Festival of Books, where I learned that I’ll be working as a venue monitor in the Education Building’s children’s area. As a venue monitor, I’ll help check in authors, assist with audience questions, and make sure everything runs smoothly during presentations. I’m hoping to coordinate my schedule so I can monitor one of the authors I’ll be interviewing — fingers crossed! If you’re stopping by the festival, come visit me and check out some of the amazing authors in the children’s area! Trust me when I say there’s something at the festival for everyone, from the live performances to STEM city, its not something to miss out on.
Some pictures I took during orientation!
Here’s a picture of me outside of the education building where I’ll be stationed at:
One of the highlights of my week was interviewing author and illustrator Loren Long. Loren is known for his beautiful artwork in books like Of Thee I Sing by Barack Obama and his own Otto the Tractor series — which was inspired by stories his wife used to tell their kids at bedtime. What stood out most to me was how he spoke about anthropomorphism — the same theme I’m exploring in my own book. He shared that animal characters allow children of any background to see themselves in the story, creating a more inclusive experience. One of my favorite things he said was:
“When you anthropomorphize, you can really reach your audience in a different way — because they may learn something without realizing it.”
It meant so much to hear that if I ever needed advice in the future, Loren would be happy to help.
Next week, I’m heading to the Indian Wells tennis tournament in California for spring break — but I’ll be back with lots to share about the Tucson Festival of Books!
Until then — stay curious! 💫
Here’s a little peek at my workstation as I develop the book’s cover:
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