Week 6: Overcoming Creative Blocks in Music Production
One of the most common struggles artists face—whether in music or any other creative medium—is dealing with creative blocks. While working on my EP, I encountered this challenge multiple times, especially with the third track (more on that later). For now, I want to share a few tips and techniques that have helped me push through creative roadblocks and keep moving forward.
One of the most effective strategies I’ve found is simply taking a break. Stepping away from the project, even for a short walk, can give my mind the space it needs to reset. During these breaks, I try to reflect and brainstorm possible directions or solutions. However, there are times when a specific idea just isn’t working, no matter how hard I try to make it fit. In those moments, I’ve learned it’s okay to let go and explore a completely new idea instead.
Changing my environment also helps. Sometimes inspiration hits while I’m doing something completely unrelated, like chores. Shifting focus allows my subconscious to keep working in the background. I also find inspiration in listening to songs that capture the emotion or atmosphere I’m aiming for. Analyzing how other artists create certain moods helps spark ideas for how I might approach my own music.
Collaboration is another powerful tool. Bouncing ideas off someone else can open up new possibilities I hadn’t considered. For me, that person is often my mom or my advisor—having someone to talk through creative decisions which makes the process feel less isolating. Lastly, experimentation plays a big role in overcoming blocks. Whether it’s trying out new techniques, tools, or simply messing around with sounds in Logic Pro, allowing myself to play without pressure often leads to unexpected breakthroughs.
Creative blocks are frustrating, but they’re also a natural part of the process. Learning how to navigate them has made me a more flexible and resilient artist—and I hope these insights can help others too.
Progress Check: Song 3
This week was particularly challenging. I had a clear vision for how Song 3 would unfold, but no matter how hard I tried, it just wasn’t coming together. I found myself stuck, so I turned to many of the techniques I mentioned earlier—taking breaks, shifting my environment, and seeking inspiration. Eventually, I stumbled upon a bass sound that really stood out to me. It sparked a groovy bassline that gave the track a fresh direction, although it did shift the original theme and structure of the song.
Initially, the song featured expanding arpeggios, but now it revolves around a more consistent 4-note arpeggio pattern built on four chords and structured in four-measure phrases. I layered in a clarinet sound—both to support the arpeggios and as part of the chord progression—after a suggestion from Adam P, and surprisingly, it fit the vibe perfectly. The track sits at 80 BPM in 4/4 time, currently with a simple kick-and-snare beat that I may refine later.
To stay inspired, I researched songs with arpeggiated melodies and upbeat energy, particularly in E major. Two key influences emerged: Paradise by Coldplay for its uplifting tone and Weird Fishes / Arpeggi by Radiohead for its textured arpeggios.
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